What’s the rush?
In the process of moving the whole site to a different hosting company, I just realised that close to 20 posts have been sitting in Draft mode for over 9 years in some cases! I plan to review and release most of them in near future. Here is something that was last revised on 2011/01/24.
One of the important lessons I learnt in a private class last year (2010) was the idea of slowing down. In the year since I have come to appreciate the concept in a number of ways.
First and the most obvious aspect is the need to wait for your lady (from leader’s point of view) to complete her movement before continuing on to something else. However, not rushing also means that it’s unnecessary to be “doing something” all the time. It’s perfectly fine to be still, or to convey/suggest minute movements in the embrace. In this case, I won’t even label this as a pause, although admittedly there may be no movement in the legs. A corollary to this is to minimise unnecessary jitters – obvious example is the side to side shuffle we often see in beginners and many of the so-called intermediate dancers – be still and serene when you feel it in the music in order to accelerate and create a greater impact when music dictates. This then leads to the notion of taking the time to enjoy the process, and not just the start and finish. Savour the transitions and, from time to time, increase the density of the steps, so that there can be a bigger contrast in dynamics when necessary.
Final aspect is taking the time to advance down the line of dance (this is more in reference to crowded dance floors where it’s less than an arm’s length to the next couple in all directions). While dancing, it is not a race to the finish. And, as far as I know, there are prizes for coming first or to see how many rounds of the floor you can manage.