Poema-s
Over at Alex.Tango he has compiled a list of performances on YouTube using the song “Poema”. It’s good to see different interpretations collected in one place.
My favourites? I really enjoy Javier and Chico’s interpretations.
10000-hour rule
Happy 2009 to all who has been following this blog!
As I have mentioned in my main blog, I am currently reading Malcolm Gladwell’s “Outliers: The story of success”. The central thesis of this book is that, while the impact of some form of innate talent is undeniable, it is still essential for these talented people to put in many hours of hard practic in order to make the next rank of “being someone”. Conversely, an “average” someone who puts in much more time into practicing than another person with more talent but less hard-working. This applies even for the well-recognised prodigy Mozart – for the reasons, go and read the book yourself! 😉
The magic number? Roughly 10,000 hours.
Peer pressure
I am constantly amazed by the positive effects peer pressure can have, despite all the usual negative connotations*.
Since around 2004, we suddenly became aware of the emergence of another group in tango scene in Singapore who had quite different preferences. So, on the one hand, there was a small and young but dedicated group dedicated to social tango – us; at the same time, there is a parallel group more interested in tango fantasia and somewhat nuevo-ish figures.
At the time, the differences were like chalk and cheese. Since there was no interaction between the two groups, each was left to develop on its own and no one really imagined if the two can be brought together at all? In fact, after the dismal experience at the first milonga held at upper club in 2006 which involved both groups, I was ready to write off this as nearly impossible to pull off.
Creatures of habit
During a recent milonga where I DJ’ed, I was a little amused when someone – the owner of the establishment as a matter of fact – was surprised that everyone on the dance floor knew it was the end of the milonga when the La Cumparsita came on. Incidentally it was not my usual “finishing” tanda although I did play the same version of La Cumparsita (30’s D’Arienzo)
However, I have to admit that the process of giving people the message that it was the end of the night was not always so straightforward.